![]() ![]() No personal data is transmitted from our side to Facebook. The information obtained through cookies allows us to compile statistics on ad performance. Facebook Ads conversion tracking allows Facebook and us to track which ads users interact with and which pages they are redirected to after clicking on an ad. In this way, consumers give each other guidance and give us the opportunity to continuously improve. Customers can also leave a comment to report on their shopping experience. With the customer reviews of Trusted Shops it is possible to award stars for delivery, condition of the goods and customer service. This cookie stores user-like settings for the chat system provider, which are required for our online chat service. These discounts are usually communicated through newsletters, which are created and managed by us with the tool "Emarsys". ![]() Emarsysįor a more convenient implementation of discounts, we occasionally use cookies which guarantee the discount through a so-called affiliate program through the link of origin. Microsoft stores the information anonymously. No personally identifiable information is submitted to Microsoft. We may use the information collected through cookies to generate statistics about ad performance. Through Microsoft Ads Conversion Tracking, Microsoft and we can track which ads users interact with and which pages they are redirected to after clicking on an ad. The data is stored anonymously by Google. No personally identifiable information is submitted to Google. We may use the information collected through cookies to compile statistics about ad performance. Through Google Ads conversion tracking, Google and we are able to track which ads users interact with and which pages they are redirected to after clicking on an ad. Its intricate execution and merger of the characters were both an homage to Bogdanović’s very specific style as well as an archetypal hint at the very philosophical themes that the entire exhibition tackled.Our shop uses Google Ads. The core of the identity was the font called Soyuz Grotesk which I had modified to accommodate a few specific Serbian characters with the kind permission of the author of the font, Temporary State. The design for the exhibition had to be a minimal, complementary device that would only enhance the experience of the visitors while still leaning on the familiar notions that Boganović and the period during which he worked have left behind in the rich history of memorial architecture and avant-garde design and art. Nenad Dickov was responsible for the type choice. Some of the most interesting queries posed by Soyuz Grotesk are the ones that get asked when Gornitsky, in a clever bit of reverse-translation, draws in a brand new Latin. Thai designers are forced to consider “What is a serif?” or “What is uppercase?” Hebrew designers ask “What is italic?” or “What is bold?” because software defaults to that quadrant. Other scripts constantly try to figure out how to adapt to fit the models set in place by Latin. Soyuz was selected by Ksenya Samarskaya for Typographica’s Typefaces of 2017: Headlines for the exhibition signs and catalog are set in Serbian, English, and Italian using Roman Gornitsky’s Soyuz Grotesk, a typeface with a Cyrillic character set and a Latin that pulls heavily from the Cyrillic. These are the most common typefaces in the database, but there are many more.Haas Inserat-Grotesk / Neue Aurora VIII (49). ![]()
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